Published by Medina, RRP £9.95. Appropriate for ages 9-15
From the cover:
“The mysterious black C-Bean is a remarkable device which, as Alice and her classmates discovered in Sea BEAN [the first book in the SeaBEAN trilogy], knows just about everything and can take them anywhere in the world.
But now it’s broken and stranded on the rocks on the remote Scottish island of St Kilda. When Karla Ingermann, the C-Bean’s designer, turns up from Germany to try to fix it, they perform a factory reset, which accidentally sends it back in time and Alice’s world is thrown into disarray.
Chased by Victorian police, attacked by an enemy submarine, imprisoned with a madwoman, summoned to rescue a dying pilot and fired at by government agents, Alice together with her parrot, her dog and her new wartime companions, embarks on a journey through time, uncovering dark secrets from St Kilda’s past and safeguarding the future before it’s too late.
Since reviewing SeaBean Part 1 back in November I have failed to blog even once. My WordPress dashboard is crammed with draft posts, some almost complete, some just one line, but all unfinished. I have been despondent, wavering and unsure. SeaWAR has pulled me out of my funk. When I opened the unexpected package that thunked through my front door last week to find a new shiny copy of SeaWAR, spine unbroken and smelling strongly of factory fresh paper and ink, I knew I had only one course ahead of me: a deep bubbly bath in which I could read until my toes wrinkled, and then a bit more.
The second instalment of Sarah Holding’s SeaBEAN trilogy finds protagonist Alice on a quest through history on her island home. The C-Bean’s newfound ability to travel through time as well as space is the driving force of SeaWAR. Mixing the real history of the small archipelago of St Kilda with an imagined future creates a rich and compelling narrative of intrigue and revelation.
The mysterious near-future technology of the C-BEAN is explored further in SeaWAR, but more questions are raised than are answered. Just who built the C-Bean? Why? Even when is suddenly under question. The marvel of technological advancement that is represented by the C-Bean is a nice juxtaposition against the environmentalism that it at the heart of the novel. It is technology that has brought Alice and her family to the island, but has the same scientific quest played a hand in evacuating St Kilda in the first place? At what cost comes knowledge? Each landmark of the island has a personal history to it, too, and Alice is drawn into these stories as she travels throughout the 20th century.
Alice continues to be a wonderful protagonist for young readers. She’s upbeat and likeable, broadly enough drawn that readers can easily place themselves in her shoes but with a strong and consistent voice that helps her jump from the page. Though her schoolmates play a smaller role than in SeaBEAN, her new acquaintances more than fill the void. There’s the curious figure of lady Grange, imprisoned on the island in the early decades of the 20th century, the equally curious Karla Ingermann, the children and adults of St Kilda’s past add a depth of perspective to the narration.
SeaWAR is just as compelling as its predecessor and just as quickly paced. In short it’s a cracking read. The settings are distant but familiar, with always a foothold available for young readers. There’s plenty to get your teeth into, with perilous missions, acts of heroism and With the final part of the trilogy, SeaRISE not yet available, a second read of SeaWAR is definitely warranted; there is bound to be more to discover. SeaWAR absolutely deserves 8 out of 10.
With thanks to Medina Publishing for the review copy.